The Sculptors who were trained in the academic pragmatist style at British art schools usually worked on secular subjects – ancient and medieval Indian customs, where myths and deities were a part of the major themes. Sculptures these days are being created to cater the demands of the emerging upper and middle social classes. It was only during the year 1940’s and 1950’s that Indian modern sculpture developed a unique aboriginal language; which was first represented by the works of Ram Kinker Baij one of the best sculpture artist in India. His art was a fresh outlook at both western and traditional Indian norms, combining them in a modern framework. He also experimented with unconventional material such as concrete, gravel and cement, making his art a mirror into the rural landscape and tribal communities of India. The year 1950’s was marked by experimentations with wood and stone, which retained the essential character of the solid block. The next two decades saw sculptors use v
‘Incredible Sculptures‘ is a creative inception by Mr. Neeraj Gupta an Indian sculpture artist who perceives sculpting as a three- dimensional art form that involves conceiving and creating in various mediums like stone, metal and wood.