Sri Ram Vijay (Divine Victory), a wooden sculpture by renowned sculptor Neeraj Gupta, is on display from March 1 to April 30 at the National Gallery of Modern Art, New Delhi as part of the Neeraj Gupta 's wooden sculpture, " Divine Victory ," (or Sri Ram Vijay) captures the essence of a triumphant homecoming in a unique and contemporary style. Currently exhibited as part of the "Ramayana Chitra Kavyam" at the National Gallery of Modern Art in New Delhi, the sculpture offers a timeless portrayal of Lord Rama and Sita. The wooden sculpture stands tall, nearly six feet high and over five feet wide. Gupta employs a light terracotta finish, lending a sense of warmth and antiquity to the piece. The figures of Rama and Sita are the central focus, Rama depicted in a standing posture with his bow and quiver, symbolizing his victory. Sita, by his side, is draped in flowing attire, radiating an air of serenity. An interesting aspect of the sculpture is the faceless depic...
Sculpture has been a way of human expression considering the prehistoric times. The ancient cultures of Egypt and Mesopotamia produced an big variety of sculptural masterworks, often monolithic, that had ritual importance beyond aesthetic issues. The Indus civilization produced many statuettes product of steatite and limestone. Some statuettes resemble the hieratic fashion of current Mesopotamia, while others are performed in the easy, sinuous fashion that is the prototype of later Indian sculpture, wherein the plastic modeling exhibits the animating breath of lifestyles (prana). Additionally, determined in this place are rectangular steatite seals embellished with various animals, such as naturalistically rendered bulls; ceramic garage jars with simple, stylized designs; toys with wheels; and figurines, which can be mother goddesses. Bronze weapons, equipment, and sculptures imply a sophistication in craftsmanship instead of a major aesthetic improvement. Metallic Sculptures ...